Piano Works by V. Polova: Conceptual, Genre, Style and Linguistic-Expressive Dimensions

The relevance of the article is determined by dissonance between intensification represen-tation V. Polova’s piano works in world and national artistic space degree its research musicological discourse.
 purpose to highlight conceptual, stylistic, genre expressive constructions works.
 methodology based on guidelines cultural historical approaches, as well semantic analysis.
 results. works, reflecting leading mainstream contemporary musical art, philosophical comprehension eternal, globally significant problems human spiritual existence, demonstrated rejection attributive postmodern trends irony, theatricalization visualization performance electronic experiments. At conceptual level, specificity composer’s lies dominance concepts spirituality, purity, lyrical reflection picture universe a new simplicity appeal sign experience past, comprehended whole. level genre, are marked tendency programmatic, conceptually mobile compositional labile models chamber music significance, individualization solutions (tendency reduce sonata structure, free open form, principle comparison spheres reflection). language thinking, demonstrate significance past authorial style (rehearsal constructions, ascending dynamic “flashes” arpeggios, chronotopic effects, emancipated sound, sonority dynamics carriers meaning drama drivers.
 scientific novelty due coverage characteristic features particular example “Pasakalia”, “Iskia. Island”, “Vitruvian Man”, Sonata No. 1 “Seren-sonata”, 2 “Quasi una fantasia”, which not fully mastered musicology.
 practical heuristic application results context practice.